JEAN-URBAIN GUERIN

(1760-1836)

Portrait of a woman

Empire period, around 1810

Watercolor and gouache, oval 6.6 x 5.6 cm.

Gilded circle metal and velvet frame, 10 x 11.5 cm.

Portrait of a woman signed on the right by Jean Urbain Guerin. The painting works on the chromatism of ivory which, in the background in particular, is sometimes left in sight with very few touches of color. This rare way of treating the background, mainly employed by Isabey, will go out of style in a short time.

Jean-Urbain Guérin  was a French draughtsman and miniaturist. With Jean-Baptiste Isabey and Jacques Augustin, he is still held to be one of the most notable miniaturists of his time.

Guérin himself wrote in his accounts book that in 1791 he produced a portrait of Georgiana, Duchess of Devonshire, who was a friend of queen Marie-Antoinette. He also painted Marie-Antoinette herself and her husband Louis XVI and drew portraits of several deputies of the third estate in 1785, which were later engraved by Franz Gabriel Fiesinger. After the French Revolution he also painted portraits of several generals of the First French Republic, which were often reproduced, as well as images of Kléber, Napoleon Bonaparte and Mozart.

Born in Strasbourg, he was the son of the engraver Jean Guérin of that city. His brother Christophe Guérin (1758-1831) became a painter and engraver, whilst Jean-Urbain's nephew Gabriel-Christophe Guérin (1790-1846) became a painter. Jean-Urbain trained under his father then under Huin. Like Prévost and Amat, Guérin did his final training under Jean-Baptiste Regnault. He was sent to Paris with Jean-Baptiste Kléber, a childhood friend, and worked among natives of Alsace who happened to be in Paris, particularly Jean-Baptiste Weyler, who advised him to specialise in miniature painting.

He took an apprenticeship under Jacques-Louis David before working with Jean-Baptiste Isabey, seven years Guérin's junior, after meeting him in David's studio. David commissioned a portrait of one of his daughters from Guérin just before her marriage - Guérin accepted but only on the condition that David would pose his daughter for him. Marie-Antoinette became his main patron and protector. By 1792 he was a member of the Filles Saint-Thomas section of the National Guard, with whom he defended the royal family against the sans-culottes during the Demonstration of 20 June that year.

He was suspected under the Reign of Terror and left France to join Desaix's division during Napoleon's Egyptian campaign, only returning in 1799 under the French Consulate. He then entered the service of Napoleon's wife Joséphine de Beauharnais and exhibited at the Paris Salon until 1827. He died in Obernai on 29 October 1836

His works are kept in the most important museums and private collections.

Excellent original state of conservation.

Price: 3600 €

BIBLIOGRAPHY

Bénézit, Schidlof, Bouchard, Darmon, Foster, Blattel. Georges Foessel

MUSEUMS:

Louvre, Paris; Nationalmuseum Stockholm, coll. Tansey, Celle; GO; Wallace coll; Carnavalet, Paris; Cognacq-Jay, Paris; MAD Paris; Strasburg MBA; Condé museum, Chantilly; Malmaison museum; MBA, Lille; Cincinnati Art Museum; coll. Frank Spierkerman; City Art Museum of Saint Louis; coll. Wicanders;